Vyber si predmet

Tvoje výsledky sa automaticky vypočítajú a zobrazia po stlačení tlačidla
"Ukázať správne odpovede" na konci testu.
This section of the test has three parts. You will hear three recordings which you will listen to twice. While listening, answer the questions in the appropriate part of the test.
Audio - pokyny:
In this part, you will hear two different extracts. In the first extract, you will hear an interview with Dr Julie Smith, a clinical psychologist. In the second extract, you will hear an interview with David Gray, a singer and ecologist. For the following statements 01–10 , choose the correct answer (A), (B), (C) or (D) . There is always only one correct answer.
Mark your answers on the answer sheet labelled with a "X"
Now you have 2 minutes to read the tasks.
Audio - ukážka:
In this part, you will hear a radio programme in which a psychologist explains how you can get rid of old habits and change your personal and professional life. The expert will mention five bad habits and five solutions how to change them. There are two blocks of five matching questions. You will have to match all ten questions while you are listening to this recording. Read the questions carefully before you listen.
For questions 11–15, choose from the first list marked (A) – (H) the problem which is being described. For questions 16 – 20, choose from the second list marked (A) – (H) the practical way of solving this problem. Be careful, there are three extra possibilities which you do not need to use. There is always only one correct answer.
Mark your answers on the answer sheet labelled with a "X".
Now you have 2 minutes to read the tasks.
Audio - pokyny:
Audio - ukážka:
11.) Bad habit No 1:
12.) Bad habit No 2:
13.) Bad habit No 3:
14.) Bad habit No 4:
15.) Bad habit No 5:
(A) Shouldering responsibility for everything.
(B) Constantly checking your phone.
(C) Becoming angry because of acts of unfairness.
(D) Comparing yourself with people around you.
(E) Having unrealistic expectations.
(F) Becoming pessimistic after focusing on negative experiences.
(G) Analysing things too much or too long.
(H) Getting upset very quickly.
16.) Solution No 1:
17.) Solution No 2:
18.) Solution No 3:
19.) Solution No 4:
20.) Solution No 5:
(A) Respond to emails regularly.
(B) Notice people with a positive approach.
(C) Focus on things you can influence.
(D) Be open in communication.
(E) Assess the circumstances of other’s behaviour.
(F) Think about what makes you special.
(G) Avoid conflict situations.
(H) Divide your responsibilities.
You will hear Falu Shah, an entrepreneur, talking about her new business brand Howdah. Complete the sentences 21–30, which summarize the information from the text. Use one to three words in your answers (the number of words is indicated in brackets).
Write your answers on the answer sheet labelled with a "pen".
Now you have 2 minutes to read the sentences.
Audio - pokyny:
Audio - ukážka:
This section of the test has two parts. To complete this section of the test, you will need approximately 40 minutes.
Read the following text and decide which word or phrase (A), (B), (C) or (D) best fits into each space numbered 31– 50. There is always only one correct answer. There is an example at the beginning (00). Example: (00) – (C) -> feast
Mark your answers on the answer sheet labelled with a "X".
In the following text, there are some missing words numbered 51–60. Use the word given in brackets to form a word that fits into the space in the same line. There is an example at the beginning (00).
Example: 00 – seaside
Write your answers on the answer sheet labelled with a "pen".
This section of the test has four parts. To complete this section of the test, you will need approximately 70 minutes.
In this part, there are three themed texts. For the statements 61–69, choose the answer (A) – (D) according to the texts. There is always only one correct answer.
Mark your answers on the answer sheet labelled with a "X".
Over three days in September 1768, the first music festival was to help raise funds to complete the new General Hospital on Summer Lane. It proved very popular and successful, but it took another event in 1778 to achieve the required funds. The hospital opened in September 1779.
From September 1784, the performances became a permanent feature and ran every three years, becoming the Birmingham Triennial Musical Festival to raise funds for the hospital.
Originally hosted in St. Philip’s Church (later to become the Cathedral) or the Theatre Royal on New Street, the available venues became too small for the festival. As a result, Birmingham Town Hall was built and opened in 1834 to house it. The festival for 1832 was delayed for two years during its erection.
In 1837 Felix Mendelssohn conducted a performance of his St. Paul oratorio, played the organ, and played the piano part in the premiere of his second Piano Concerto, specially commissioned by the festival. He also appeared at the following festival, playing his first Piano Concerto. For the 1846 festival, he composed and conducted the premiere of his oratorio Elijah, another new work commissioned by the festival. He was paid 200 guineas. Elijah was played at every successive festival. Mendelssohn died a year later.
The Birmingham Festival Choral Society, which was founded in 1845 to provide the chorus for the festivals and sang at the premiere of Elijah, is still in operation.
Throughout its history, the Biennale has given equal weight to classical 20th-century repertoire and experimental music, encompassing various musical forms, including symphonic and chamber concerts, opera, ballet, music theatre and multimedia performances. Accompanying lectures, workshops and symposiums have also gained prominence in recent years. The Biennale has collaborated with some of the biggest international names in contemporary music, including Luciano Berio and Igor Stravinsky.
The festival gained international prominence in the 1960s and the 1970s due in large part to the ambivalent position of Yugoslavia in the political and ideological divisions of the Cold War, making it a unique gathering place for artists from both East and West. Just as its founder had hoped, it has boosted Croatian composers and musicians by accelerating their integration into world trends in contemporary music, especially through co-productions and partnerships with their foreign colleagues. It has also proved popular with the concert-going public, as almost ten thousand people see its events. The festival’s popularity is partly due to symbolic ticket prices: in 2011, the entrance fee for most events was 20 HRK (€3), while the festival pass was available for 150 HRK (€20).
Approximately 70% of the festival’s funding is provided today by the Ministry of Culture and the City of Zagreb, while the rest comes through donations and the festival’s income.
In 2005, the Biennale hosted the ISCM World Music Days. It hosted the World Music Days again in 2011, with the occurrence of the Biennale’s 50th anniversary.
From the mid-19th century, at regular intervals, song festivals were arranged where choirs from all over the North met. The repertoire was decidedly ‘national’ – one could say that when the Nordic countries were gathered, there was a need to express national distinctiveness. But joint activities were arranged too. For example, in 1929, a choir of 1000 sang the Nordic cantata Song of the North, composed jointly by five composers – one from each Nordic country. The song festivals continued well into the first half of the 20th century.
The first of the true “Nordic Music Days” was held in Copenhagen in 1888, primarily emphasising instrumental and orchestral music. This was to be a forum where Nordic composers could have their works performed, and the first Festival presented works from Denmark, Norway and Sweden – among other ways in seven large-scale choral and orchestral concerts.
The following festivals were held in Stockholm in 1897 and in 1919 – again in Copenhagen, where works by Carl Nielsen, Jean Sibelius, Wilhelm Stenhammer and Johan Halvorsen were conducted. The first time the festival was held in Finnish Helsinki was in 1921. The Copenhagen 1938 festival was the last one before the outbreak of WWII.
After the war, the Nordic composers’ societies joined forces to form the Nordic Council of Composers (NCC), which, immediately after its establishment in 1946, assumed the main responsibility for the Nordic Music Days. Since 1948, the festival has been held in Nordic capitals every other year. Until the 1970s, the repertoire profile was purely Nordic, but from 1974 to 1982, composers and works from a ‘guest country’ were invited: Poland in 1974, Canada in 1976, the GDR in 1978, the UK in 1980, and 1982 France. After this, it became a festival exclusively for new Nordic music.
Read the following extract. Six paragraphs have been removed from the text. Complete the missing paragraphs (A)–(G) the one which fits each gap 70–75. There is one extra paragraph which you do not need to use.
Mark your answers on the answer sheet labelled with a "X".
He was often accompanied by his friend and fellow poet, William Wordsworth. The Romantic poetry movement, rooted in reverence for the natural world and the notion that nature can set the imagination free, was born on these long countryside strolls.
For a change of pace, it’s a short journey (though something of a rollercoaster ride) to Lynton and Lynmouth on the coast. The dramatic, almost alpine feel of these twin towns was beloved of the Victorians, who nicknamed them ‘Little Switzerland’.
You can walk from here along the coast path to the hamlet of Culbone. The church here, which is the smallest in England, has a ‘leper window’. It was created so those in a 16th-century leper colony could peer in during services.
It’s thrilling to travel between these varied terrains via the winding lanes that criss-cross Exmoor, which reveal stunning views at every turn. And it’s not all about the landscape: enfolded within the hills are historic towns and villages with houses constructed from the local stone, and centuries of traditions and stories to discover.
On the path to Culbone, two tunnels are all that remains of Ashley Combe House, the summer retreat of Ada Lovelace, daughter of another Romantic poet, Lord Byron. Obsessed with mathematics rather than poetry – her father called her his ‘Princess of Parallelograms’ – he is now considered the world’s first computer programmer.
Dotted with family mementos, the castle has a warm, lived-in feel that gives you the lingering sense that the Luttrells have only just left the room. Among many treasures, the jewel of the collection is a set of rare 17th–century leather wall hangings telling the love story of Antony and Cleopatra.
Another writer inspired by Exmoor’s wildly romantic landscapes was R. D. Blackmore (1825–1900). One of the most famous novelists of his generation, Blackmore set Lorna Doone in the mystical Badgeworthy Valley. His tale of nobles turned outlaws was based on stories of the Dounes, a family of outlaws that once roamed these hills.
Read the following text and complete the statements 76–81 with one or two words, based on the information given in the text. The statements do not follow in the same order as the information appears in the text.
Write your answers on the answer sheet labelled with a "pen".
You’ve probably heard before that Earth has witnessed five mass extinctions. It’s a number taken straight from the fossil record, but that’s not the whole picture, not even close.
Evidence from ancient rocks reveals the oldest die-off in our planet’s history most likely occurred among single-celled organisms more than 2 billion years ago. A recent analysis now suggests that the deadly event was far more significant than any known loss of life that came after, even the dinosaur extinction. “This shows that even when biology on Earth is comprised entirely of microbes, you can still have what could be considered an enormous die-off event that otherwise is not recorded in the fossil record,” says geologist Malcolm Hodgskiss from Stanford University.
Researchers describe this time as a tale of ‘feast and famine’, long before the rise of complex life and far beyond the fossil record. Starting 2.4 billion years ago, oxygen in Earth’s atmosphere was scarce, primarily trapped in minerals or locked up in the water. Then, cyanobacteria arrived on the scene, and these tiny marine microorganisms could photosynthesise, using sunlight to ‘breathe’ oxygen into the air.
The Great Oxidation Event (GOE) was a feasting time as life flourished, diversified, and spread. And then, for some reason, it all came to an abrupt and catastrophic end. To figure out why, scientists at Stanford turned to a mineral called barite, found on the Belcher Islands of subarctic Canada. The landscape here has survived for billions of years, which means it holds a long record of oxygen in our planet’s atmosphere.
Measuring oxygen, sulfur and barium isotopes found in these rocks, the authors found harmful oxygen isotopes occurring shortly after the GOE, some 2.05 billion years ago. This would have required a rapid reduction in the primary production of bacteria, dropping by more than fivefold and potentially by as much as 200 fold. Such a massive collapse, the authors argue, was probably triggered by a lack of critical nutrients, such as phosphorus, which is an essential factor in determining the distribution and development of cyanobacteria.
“A large decrease in nutrients likely brought about this drop supplied to the biosphere that, in turn, marked the conclusion of the GOE and led to the subsequent 1-billion-year interval characterised by markedly low and stable gross primary production compared with the modern Earth,” the authors write.
The findings support the ‘oxygen overshoot’ theory, which suggests that when oxygen- releasing microorganisms first began to flourish in the ocean, they hit a critical peak. Their supply of nutrients could no longer sustain them, leading to a decrease in atmospheric oxygen.
The new data strengthen the idea that a nutrient famine is closely tied to atmospheric oxygen levels. “Some of these oxygen estimates likely require too many microorganisms living in the ocean in Earth’s past,” says geologist Peter Crockford from the Weizmann Institute of Science and Princeton University. “So we can now start to narrow in on what the composition of the atmosphere could have been through this biological angle.”
If the team has it right, the deadly event that struck these microorganisms so long ago would have to be one of the most pronounced biotic changes across all of Earth’s history, even more so than the instances where as many as two-thirds of all plant and animal life disappeared.
Read the following extracts and choose the paragraph (A), (B), (C) or (D) in which you found the information from the statements 82 – 90. You can use the paragraphs more than once.
Mark your answers on the answer sheet labelled with a "X".
Michelangelo: Although known today more for his painting and sculpture, Michelangelo was also a master architect. In fact, he was among the first to depart from the classical style and challenge traditional expectations.
In 1523, Pope Clement VII commissioned Michelangelo to design a two-story library on top of an existing convent. Michelangelo employed radical principles in his design of the Laurentian Library in Florence, breaking rules of the classical style. For instance, he took practical elements, like brackets traditionally used as supportive structures, and used them merely for ornamentation.
Michelangelo’s most famous contribution to architecture is probably the dome of St. Peter’s Basilica in Vatican City. It stands as one of the most recognizable landmarks in the world and inspired many imitators, such as the U.S. Capitol in Washington, D.C. However, the dome itself was not completed before Michelangelo died. Scholars still debate how the ultimate construction deviates from Michelangelo’s plans.
Imhotep Imhotep lived sometime between 2667 B.C.E. and 2648 B.C.E. Although he was born a commoner, Imhotep rose to become chief architec to Pharaoh Djoser of the Third Dynasty of Egypt and is known as the first architect, among other distinctions. Imhotep is credited with designing the Step Pyramid at Saqqara, a pharaoh’s tomb. According to Discovering Egypt, this, the world’s first pyramid, consisted of multiple mastabas (flat- roofed structures with sloping sides that had been the traditional pharaoh burial structures), one stacked atop the next becoming smaller each time. The result is a 62-meter-tall step structure surrounded by a massive complex that overlooked Memphis, the ancient capital. The tomb lies below the pyramid.
To create the Step Pyramid, Imhotep invented new tools and equipment. While earlier mastabas had been made of clay brick, Imhotep used stone blocks, and the exterior was covered in limestone. Imhotep’s design influenced subsequent burial structures, culminating in the later pyramids like the Great Pyramid of Giza. Thanks to his ingenuity, Imhotep, who was also recognized as a healer, was later declared a god.
Sir Christopher Wren: Under normal circumstances, Sir Christopher Wren would probably be known as a great architect, but he might not have gone down in history as among the most famous architects who have ever lived. However, as it happened, Wren was in the right place at the right time and possessed the right talent.
Wren was a professor of astronomy at Oxford who came to architecture through his interest in physics and engineering. In the 1660s, he was commissioned to design the Sheldonian Theatre at Oxford and visited Paris to study French and Italian baroque styles. In 1666, Wren completed a design for the dome of St. Paul’s Cathedral in London. However, one week after it was accepted, the Great Fire of London raged through the city, destroying most of it – including the cathedral.
The Great Fire created an unexpected opportunity for Wren, who was soon at work on reconstruction. Although plans for a comprehensive reconstruction of the city soon proved too difficult, by 1669, Wren was appointed surveyor of royal works, which put him in charge of government building projects. Ultimately, he had his hand in designing 51 churches as well as St. Paul’s Cathedral.
Louis Henry Sullivan: Known for the principle of ‘form follows function’, Louis Henry Sullivan was anxious to break free from tradition and became influential in forging distinctly American architecture. Similar to Sir Christopher Wren, Sullivan benefited from a great fire. The Great Fire of 1871 in Chicago resulted in a construction boom and afforded architects like Sullivan with work for the decades to come. As a young man, he worked briefly in the offices of famed architects Frank Furness and then William Le Baron Jenney. He was only 24 years old when he became a partner in Dankmar Adler’s firm in 1881.
As other architects like Jenney started implementing steel to allow for taller structures, the skyscraper was born. Sullivan was instrumental in creating a new functional design for these new, tall buildings rather than sticking with old-fashioned traditions. Because of this, some refer to Sullivan as the ‘Father of the Skyscraper’ (though others ascribe this title to Jenney). Sullivan’s designs also incorporated both geometric shapes and organic elements. His most famous work is the 10-story Wainwright Building in St. Louis, built in 1890, and the 16-story Guaranty Building in Buffalo, built in 1894.
0/74
t.j. 0 správnych odpovedí zo 74 otázok = 0%
teraz nevidíš či sú tvoje odpovede správne
teraz nie sú správne odpovede viditeľné v teste
odporúčam Ti zobrazovať správnosť odpovedí len ak si vyplnil/a túto skúšku! Nepodvádzaj samú/samého seba. :)